"You're very beautiful. So beautiful I'm going to make you immortal. Like Kharis, you will live forever. What I can do for you I can also do for myself. Neither time nor death can touch us. You and I together for eternity here in the temple of Karnak. You shall be my high priestess."
"The roaring of the wind is my wife and the stars through the window pane are my children. The mighty abstract idea I have of beauty in all things stifles the more divided and minute domestic happiness."
"It is easy to say that all things are both good and beautiful at once and that these qualities exist in nature simultaneously. Itis not possible, however, to enjoy what is "good" about a thing and what is "beautiful" about it at the same moment. A pear is good: to know its goodness I must eat it. A pear may be beautiful: to know its beauty I must not eat it, I must resolutely refuse its goodness, I must let it alone. Goodness yields itself to use; the reason I am justified in calling a pear "good" is that when I do use it, when I eat it, it proves to be good for me. But in the process of eating it, of using it up, I am of course destroying all of the properties that enabled me to call it "beautiful."
"Beauty is as relative as light and dark. Thus, there exists no beautiful woman, none at all, because you are never certain that astill far more beautiful woman will not appear and completely shame the supposed beauty of the first."
"To give pleasure to a few wretched souls; the knowledge that human nature craves the good things of life, in terms of nourishment,and needs beauty in form and color, as its companion; utilization of imagination and a long-suppressed love of the beautiful to conquer a difficult decorative problem; abiding faith that in all life two things alone are necessary, love and beauty, and that in business as well as elsewhere they are essential to a true success, and, adopted as a business principle will lead to success--these were the foundation stones on which this business, the result of twenty years of hard labor, was laid."
"Was it an intellectual consequence of this 'rebirth,' of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master."
"With astonishment Aschenbach noticed that the boy was entirely beautiful. His countenance, pale and gracefully reserved, was surrounded by ringlets of honey-colored hair, and with its straight nose, its enchanting mouth, its expression of sweet and divine gravity, it recalled Greek sculpture of the noblest period."