"In academic science, interdisciplinary work is productive and praised, but is relatively rare. Scientists don't need to cooperateto have their results fit together: they are all describing different parts of the same thing--nature--so in the long run, their results tend to come together into a single picture. Engineering, however, is different. Because it is more creative (it actually creates complex things), it demands more attention to teamwork. If the finished parts are going to work together, they must be developed by groups that share a common picture of what each part must accomplish. Engineers in different disciplines are forced to communicate; the challenge of management and team-building is to make that communication happen."
"Religion and science ... constitute deep-rooted and ancient efforts to find richer experience and deeper meaning than are found inthe ordinary biological and social satisfactions. As pointed out by Whitehead, religion and science have similar origins and are evolving toward similar goals. Both started from crude observations and fanciful concepts, meaningful only within a narrow range of conditions for the people who formulated them of their limited tribal experience. But progressively, continuously, and almost simultaneously, religious and scientific concepts are ridding themselves of their coarse and local components, reaching higher and higher levels of abstraction and purity. Both the myths of religion and the laws of science, it is now becoming apparent, are not so much descriptions of facts as symbolic expressions of cosmic truths."
"We have found a strange footprint on the shores of the unknown. We have devised profound theories, one after another, to account for its origin. At last we have succeeded in reconstructing the creature that made the footprint. And lo! It is our own."
"Thus will the fondest dream of Phallic science be realized: a pristine new planet populated entirely by little boy clones of greatscientific entrepeneurs ... free to smash atoms, accelerate particles, or, if they are so moved, build pyramids--without any social relevance or human responsibility at all."
"Even though the realms of religion and science in themselves are clearly marked off from each other, nevertheless there exist between the two strong reciprocal relationships and dependencies. Though religion may be that which determines the goal, it has, nevertheless, learned from science, in the broadest sense, what means will contribute to the attainment of the goals it has set up. But science can only be created by those who are thoroughly imbued with the aspiration towards truth and understanding. The source of feeling, however, springs from the sphere of religion. To this there also belongs the faith in the possibility that the regulations valid for the world of existence are rational, that is, comprehensible to reason. I cannot conceive of a genuine scientist without that profound faith. The situation may be expressed by an image: Science without religion is lame, religion without science is blind."
"The motive of science was the extension of man, on all sides, into Nature, till his hands should touch the stars, his eyes see through the earth, his ears understand the language of beast and bird, and the sense of the wind; and, through his sympathy, heaven and earth should talk with him. But that is not our science."
"Science in England, in America, is jealous of theory, hates the name of love and moral purpose. There's revenge for this humanity.What manner of man does science make? The boy is not attracted. He says, I do not wish to be such a kind of man as my professor is."
"We may climb into the thin and cold realm of pure geometry and lifeless science, or sink into that of sensation. Between these extremes is the equator of life, of thought, or spirit, or poetry,--a narrow belt."
"There are four classes of idols which beset men's minds. To these for distinction's sake I have assigned names--calling the firstclass Idols of the Tribe; the second, Idols of the Cave; the third, Idols of the Market-Place; the fourth, Idols of the Theatre."