"Figaro is a bad play. It stirs up hatred between the classes. In France, it has caused nothing but bitterness. My own dear sister,Antoinette, writes me that she is beginning to be frightened of her own people."
"Power, I said. Power to walk into the gold vaults of the nations, into the secrets of kings, into the holy of holies. Power to make multitudes run squealing in terror at the touch of my little invisible finger. Even the moon's frightened of me. Frightened to death. The whole world's frightened to death."
"In fear, one flees. One can pretend to fear, accordingly, by pretending to flee, a vigorous activity in which there may be littlevisible difference between pretense and reality. In horror, on the other hand, there is passivity, the passivity of presence. One stands (or sits) aghast, frozen in place, "glued to one's seat." ... Horror involves a helplessness which fear evades. The evasive activities of fear may be pointless, even self-defeating, but they are activities nonetheless, activities that can be feigned. Horror is a spectator's emotion, and thus it is especially well-suited for the cinema and the visual arts."
"The idea of enemies is awful it makes one stop remembering eternity and the fear of death. That is what enemies are. Possessions are the same as enemies only less so, they too make one forget eternity and the fear of death."
"... we've allowed a youth-centered culture to leave us so estranged from our future selves that, when asked about the years beyondfifty, sixty, or seventy--all part of the average human life span providing we can escape hunger, violence, and other epidemics--many people can see only a blank screen, or one on which they project fear of disease and democracy."
"Fear, as opposed to anxiety, has a definite object (as most authors agree), which can be faced, analyzed, attacked, endured. One can act upon it, and in acting upon it participate in it--even if in the form of struggle. In this way one can take it into one's self-affirmation. Courage can meet every object of fear, because it is an object and makes participation possible. Courage can take the fear produced by a definite object into itself, because this object, however frightful it may be, has a side with which it participates in us and we in it. One could say that as long as there is an object of fear, love in the sense of participation can conquer fear. But this is not so with anxiety, because anxiety has no object, or rather, in a paradoxical phrase, its object is the negation of every object. Therefore participation, struggle, and love with respect to it are impossible. He who is in anxiety is, insofar as it is mere anxiety, delivered to it without help."