"Pop" Wyman ruled here with a firm but gentle hand; no drunken man was ever served at the bar; no married man was allowed to playat the tables; across the face of the large clock was written "Please Don't Swear," and over the orchestra appeared the gentle admonition, "Don't Shoot the Pianist--He's Doing His Damndest."
"During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known--it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is "the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy's pony."
"Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air andsea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both."
"... the ... radio station played a Chopin polonaise. On all the following days news bulletins were prefaced by Chopin--preludes, etudes, waltzes, mazurkas. The war became for me a victory, known in advance, Chopin over Hitler."
"Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live."
"It is at the same time by poetry and through poetry, by and through music, that the soul glimpses the splendors found behind the tomb; and when an exquisite poem brings tears to one's eyes, these tears are not the sign of excessive pleasure, they are rather witness to an irritated melancholy, to a condition of nerves, to a nature exiled to imperfection and which would like to seize immediately, on this very earth, a revealed paradise."
"When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence. Ever since childhood, music has been my great source of recreation and stimulation, and I often experience a film or play musically."